Timm Burkhardt is an artist and lecturer working at the intersection between art and technology. He builds installations that encourage voluntary or unconscious interactions from visitors. Since 2015 he also lectures at the Faculty of Art & Design at the Bauhaus-Universität Weimar, Germany, specializing in the combination of art, design and electronics. In 2020, he started his Ph.D. on the topic of autonomous kinematic machines with variable morphology.
Who plans the planning?
Twenty-five years ago, to celebrate the foundating of the Faculty of Design, a copper beech was planted on the campus of the Bauhaus University Weimar. In 2018, the tree was removed without replacement when the outdoor facilities were redesigned, although students pointed out its historical significance and protested against the tree being felled.
The responsible planners justified the felling with a too advanced state of planning. In this conflict, the tree increasingly became a symbol for the ignorance of the planners and the many points of criticism of the restructuring, ignoring the needs of the students.
If one now shakes one's head, the tree will be visible again for seconds. The trick: A band of 400 LEDs shows vertical sections of the tree picture in rapid succession. The image is created by the persistence of vision effect when viewed with lateral head movement due to the inertia of the human eye.
A digital proclamation: I want to be private today and not appear in your social media photos.
The concept: stand in front of the screen and take a badge or a scarf to wear. Both these items have a special pattern on them. As long as this pattern is recognized by the camera, the software will automatically pixelate your face.
It is however an unrealistic wish, as ultimately manufacturers would have to integrate this into their smartphones as a small default software.
Ars Electronica Festival, 5 - 9.9.2019,
From the Lab to the Studio, Galerie Eigenheim Berlin, 16.3 - 24.4.2019
Machine to support the starving artist
This work is designed to undermine the vital but patronizing „Harz IV“ agenda of the German government, in which self-employed individuals must send in records of their expenses in order to verify the necessity of the support they receive.
Made of stainless steel, this unobtrusive machine is suited to the harsh environment of the streets, generating receipts of random items, quantities and sale amounts. Like an actual receipt, each statement is printed on thermal paper, and could be legitimately sent to the authorities.
HfG-Archiv Ulm, 22.11.2019 - 29.2.2020
Ars Electronica Festival, 5 - 9.9.2019
Bauhaus Studio100, 18 - 25.6.2019
Spectrum 2 / about paper,
Galerie Eigenheim Berlin 17.12 - 28.1.2017
A Compass built in reaction to the current political climate, this machine delegates narrative responsibility to each person it encounters, to both oppose the feeling of being unheard, and to remind the viewer of, their critical part in a more complete whole.
The work is completed and operating only when a human approaches it. The presence of the viewer causes the compass needle to pull toward them, with each person then becoming „true north“.
A collaborative work with artist Kathryn Gohmert.
Goethe Institut Kultursymposium Weimar, 19 - 21.6.2019
Woche der Demokratie, Deutsches Nationaltheater Weimar, 1 - 10.2.2019
Manifest of Practice, 16 - 27.1.2019, III.
Berliner Herbstsalon, 11 - 26.11.2017
This work addresses the invisible yet ubiquitous gaze of video surveillance. As soon as a visitor is within the detection range of the camera, the printer begins working, rapidly printing the current camera image at a high rate. The surprised visitor finds themselves immediately reproduced on a multitude of printouts. Allowed to take their picture with them, this action is also captured and printed, demonstrating that one can never cover all of their tracks.
Installed in the central surveillance room of a former prison for the exhibition "Das Glücksprinzip" at Kunstfest Weimar, curated by Galerie Eigenheim. 22.8 - 06.09.2015
The preENTER Sessions
An ongoing installation and performance project in which visitors generate the content. The works central point is an installation composed of six flatbed scanners. Visitors are invited to creatively interact with the scanners, by scanning themselves or the objects they carry. These images appear immediately on a large projection or in a live video performance, becoming part of a constantly growing world of faces, body parts, objects, messages and abstract forms, which can be best described as an uncensored visual snapshot of a time and place.
A collaboration between YouAreWatchingUs and Pentatones, performed at Ars Electronica Festival, European Media Art Festival, Fusion Festival and Chaos Communication Congress (et al.)